Born in 2000, he lives and works in Katowice. Since 2022, he has been studying painting at the Academy of Fine Arts in Katowice in the studios of Professor Dominika Kowynia and Małgorzata Widomska.

His painting practice moves between figuration and abstraction, exploring themes of memory, loss, and the sensitivity of the human body. Layered textures and distorted figures serve as carriers of emotional traces and intergenerational trauma, often rooted in personal and familial history.

A recurring motif in his work is the tension between what is visible and what remains hidden. Fragmentary forms and the act of erasure construct narratives of absence, forgetting, and the unspoken. Color plays a central role—shifting between muted tones and moments of intensity, it helps shape the atmosphere that lies at the heart of his practice.

Born in 1997 in Gorzów Wielkopolski, he is a visual artist working with photography, painting, and digital media. He is a graduate of the Faculty of Graphic Arts at the Academy of Fine Arts in Kraków (2022) and 
co-founder of the Szaber collective and gallery. 

His practice explores the impact of social media and consumer culture on human perception and emotion. He is interested in the aesthetics of decay, the ephemerality of the image, and strategies for escaping reality. His works balance between the dream of the algorithm and the documentation of everyday life, between the glorification of fleeting moments and their gradual disintegration.

Born in 1986 in Dnipro, she lives and works in Kyiv. From 2004 to 2010, she studied painting at the National Academy of Fine Arts and Architecture. In 2020, as a recipient of the Gaude Polonia scholarship, she worked with Professor Mirosław Bałka in the Department of Media Art at the Academy of Fine Arts in Warsaw. In 2021–2022, she was an artist-in-residence at the Jan Van Eyck Academie for Art, Design and Reflection.

Anna participated in the Pavilion of Ukraine Hope! at the 56th International Art Exhibition – La Biennale di Venezia (2015); in Luleåbiennalen 2024, Sweden; and in the Kyiv Biennale: The School of Kyiv (2015), The Kyiv International(2017), and Kyiv Biennial 2023. Zvyagintseva received the PinchukArtCentre Prize in 2017 and was shortlisted for the Future Generation Art Prize in 2018. Since 2010, she has been a member of the Hudrada curatorial group.

Her work engages with themes such as the body, pathways, futile actions, and small gestures. She combines drawing in its various forms with transmedial practices including sculpture, installation, video, and painting.

Her works are held in the collections of Museum de Fundatie, Zwolle (Netherlands); M HKA Museum of Contemporary Art, Antwerp (Belgium); and the Mystetskyi Arsenal National Cultural and Art Museum Complex (Kyiv, Ukraine).